It’s a tribute to the enduring power of the Lannister family that Magali Villeneuve’s full-color illustrations were included in the 896-page gilded, hardcover collectible edition of A released to celebrate George R.R. Martin’s 20th year as lord of the Lands of Ice and Fire. It’s a further tribute that the book should wind up the, along with an iron coin of the Faceless Man, passwords for a Living Language Dothraki course, and, fittingly, a reproduction of Robert Baratheon’s will.

Magali’s work belongs with this loot. When she’s not wandering the villages of northeast France, Villeneuve is exploring Westeros, where she has become a court painter for House Lannister, capturing dead, misdeeds, and quite few secretive conversations. Villeneuve fits in well in King’s Landing. She’s a fantasy head who dreamt of working as a animator before she cracked into the Wheel of Time series by Robert Jordan. “It was a whole new world and I started to understand that I wanted to draw from,” she recalls.

“My goals changed.” Today, she’s a well-known and widely respected illustrator with a particular specialty in capturing the realpolitik and very literal castle intrigue spinning around the giant Westerosi throne. She has become, in a sense at least, the Lannister’s court painter. And, yeah, she digs the job.

Aug 22, 2017 After years of annual installments, Ubisoft decided not to release a new Assassin’s Creed game in 2016 (give or take an Ezio Trilogy).

Inverse spoke to Villeneuve about her art and the family she’s best known for capturing. How did you get your start painting the Lands of Ice and Fire? That’s got to be a hard job to get. One day I was in a library and I found that Fantasy Games has published an art book showing all of their Game of Thrones illustrations. I was thinking that it must be very cool to work on that and my husband said he thought my work compared favorably. I sent my portfolio in and it was okay.

They liked it. I have to say that day is a wonderful memory. I was so excited that I’d be able to tell people I did one illustration for Game of Thrones. I’ve done way more than one now. As an artist, you’ve been all over Westeros.

Which characters have you most enjoyed capturing? Which ones do you feel like you handle best? I’m drawn to the Lannisters. I love this family.

I love how sophisticated and complicated they are. I’m someone who really loves to paint relationships and that’s something I find fascinating in Game of Thrones and why I find myself so at ease in this universe. It’s about human relationships. That’s the interesting part to me, not the war or the dragons as much. Has the way that you portray them changed over the years? I think my vision evolved through the years with my style, but I have a very precise idea of what they look like to me. I think even the first Jamie I drew years ago has some common points with my current ones.

What creative freedoms do you take when youre capturing famous people? I guess when a book is as good as this one, it gives you really strong images you want to recreate. That kind of thing doesn’t happen when the book isn’t that good.

Everything is there. I do not have the impression I’m adding everything. It’s not like. In that case, it is easier for me to insert details because wasn’t about describing his characters. It’s blurry and not very precise. There’s more for an illustrator to add not so with Game of Thrones. There is a description for everything and everyone.

I think that’s why the show seems right. What’s important to me is how the characters feel. I think they feel right.

Do Lannister loyalists ever complain about your work? The main pressure there comes from the audience. My art is official in a way so I’m supposed to be as accurate as possible. But my vision will never be everybody’s vision so it is a bit frightening to come up with a face. It’s all about realistic details.

Aging is interesting, so is creating family likenesses, which is something I’m really trying to work on. With the Lannisters, there needs to be something common among them. So I try to make a character look the same in all the illustrations and also make sure there are commonalities in every illustration. Do you always try to make your subjects beautiful? In terms of making them all look good, it’s generally just a good idea. When I was working on the 20th anniversary of Game of Thrones one of the people art directing me said, ‘All your characters are pretty, so make an effort on this character and this character to make them less beautiful.’ Thats not easy when you’re a fantasy illustrator. The Lannisters have been through some nasty stuff.

Is there anything you’ve avoided depicting? I’m not at ease with violence.

What I like to do is to draw what happened just before or after the moment of violence. The big fight between the Mountain and the Red Viper — I love that moment, and I really wanted to do that so I chose to show a little before all the blood and all that. Also, when I painted Joffrey’s, it was more about the feeling of the scene than the harsh reality. So I chose to concentrate on Cersei’s expression rather than just Joffrey dying horribly. Pro Engineer Software Download Crack on this page. How do you work? What is your medium? I gave up on traditional mediums.

I couldn’t make it without a digital technique. But the techniques are actually very close, which is why I’m a slow painter. I have a pretty traditional technique. Thats also why I think my illustrations are so detailed. My main sources of inspiration is Italian painters, the Caravaggisti, who did really dramatic work.

It’s very difficult, but I think that’s it’s appropriate because it conveys such dramatic atmospheres. That is probably the best way to capture life in King’s Landing. It’s what I’m trying to do.

Always trying. For a free wallpaper download of art from the 20th anniversary illustrated edition of A Game of Thrones. Photos via Magali Villeneuve.

• • • Release • WW: 19 May 2015 Mode(s) The Witcher 3: Wild Hunt is a 2015 video game developed and published. Based on series of fantasy novels by Polish author, it is the sequel to the 2011 video game and the third installment in The Witcher video game series. Played in an with a, players control protagonist.

Geralt, a monster hunter known as a Witcher, is looking for his missing adopted daughter, who is on the run from the: an otherworldly force determined to capture and use her powers. Players battle the game's many dangers with weapons and magic, interact with, and complete main-story and side to acquire and gold, which are used to increase Geralt's abilities and purchase equipment. Its central story has several endings, determined by the player's choices at certain points in the game. Development began in 2011 and lasted for three-and-a-half years, of which over two-and-a-half years were devoted to voice recording. The writing was infused with real-life aspects like moral ambiguity in a deliberate attempt to avoid simplification, impart authenticity, and reflect Sapkowski's novels. Europe was the basis of the game's open world, with,, and as its primary inspirations.

Enabled the developer to create a complex story without compromising the game world, whose size was enlarged by and technology. The music was primarily composed by and performed in Germany by the Brandenburg State Orchestra. The Witcher 3: Wild Hunt was released worldwide for, PlayStation 4, and Xbox One on 19 May 2015.

The game received critical acclaim, with praise of its gameplay, narrative, world design, combat, and visuals, although it suffered criticism due to technical issues, some of which were later. It was 2015's most-awarded game, receiving from gaming publications, critics, and award events, and is considered one of the. The game was a commercial success, selling over six million copies within six weeks of its release and ten million copies overall. Two expansion packs, and, were also released.

A Game of the Year edition, with the base game, expansion packs and all, was released in August 2016. The player controls the main character, Geralt, as they explore the game world The Witcher 3: Wild Hunt is an with a. Players control, a monster hunter known as a Witcher. Geralt walks, runs, rolls and dodges, and (for the first time in the series) jumps, climbs and swims. He has a variety of weapons, including bombs, a crossbow and two swords (one steel and one silver).

The steel sword is used primarily to kill humans while the silver sword is more effective against creatures and monsters. Players can draw out, switch and sheathe their swords at will. There are two modes of melee attack; light attacks are fast but weak, and heavy attacks are slow and strong. Players can block and counter enemy attacks with their swords. Swords have limited endurance and require regular repair. In addition to physical attacks, Geralt has five magical signs at his disposal: Aard, Axii, Igni, Yrden and Quen.

Aard prompts Geralt to unleash a telekinetic blast, Axii confuses enemies, Igni burns them, Yrden slows them down and Quen offers players a temporary, protective shield. The signs use stamina, and cannot be used indefinitely. Players can use to increase Geralt's magic power. They lose when they are attacked by enemies, although wearing armour can help reduce health loss. Health can be restored with or consumables, such as food and potions. Players control Ciri, Geralt's adoptive daughter who can short distances, in certain parts of the game.

It has responsive, advanced (AI) and dynamic environments. The day-night cycle influences some monsters (and their powers), as a werewolf becomes powerful during the night of a full moon. Players can learn about their enemies and prepare for combat by reading the in-game. When they kill an enemy, they can loot its corpse for valuables. Geralt's witcher sense enables players to find objects of interest, including items that can be collected or scavenged.

Items are stored in the inventory, which can be expanded by purchasing upgrades. Players can sell items to vendors or use them to craft potions and bombs.

They can visit to craft new weapons and armour with what they have gathered. The price of an item and the cost of crafting it vary, depending on a region's local economy. The game focuses on narrative, and has a which allows players to choose how to respond to. Geralt must make decisions which change the state of the world and lead to 36 possible endings, affecting the lives of in-game characters.

He can have a romantic relationship with some of the game's female characters by completing certain quests. In addition to the main quests, books offer more information on the game's world. Players can begin after visiting a town's noticeboard. These side missions include Witcher Contracts (elaborate missions requiring players to hunt monsters) and Treasure Hunt quests, which reward players with top-tier weapons or armour. Players earn by completing missions. When a player earns enough experience, Geralt's increases and the player receives ability points. These points may be used on four: combat, signs, alchemy and general.

Combat upgrades enhance Geralt's attacks and unlock new fighting techniques; signs upgrades enable him to use magic more efficiently, and alchemy upgrades improve crafting abilities. General upgrades have a variety of functions, from raising Geralt's vitality to increasing crossbow damage.

The game's is divided into several regions. Geralt can explore each region on foot or by transportation, such as a boat. Roach, his horse, may be summoned at will. Players can kill enemies with their sword while riding Roach, but an enemy presence may frighten the horse and unseat Geralt. Points of interest may be found on the map, and players receive experience points after completing mini-missions in these regions.

Players can discover Places of Power for additional ability points. Other activities include, and; the card-playing was later expanded into a. Synopsis [ ] Setting [ ] The game is set in the Continent, a fantasy world surrounded by parallel dimensions and extra-dimensional worlds. Humans, elves, dwarves, monsters and other creatures co-exist on the Continent, but non-humans are often persecuted for their differences. The Continent is caught up in a war between the empire of Nilfgaard —led by Emperor Emhyr var Emreis (), who invaded the Northern Kingdoms —and Redania, ruled by King Radovid V. Several locations appear in The Witcher 3: Wild Hunt, including the Redanian cities of Novigrad and Oxenfurt, the of Velen, the city of Vizima (former capital of the recently-conquered Temeria), the Skellige islands (home to several Viking-like clans) and the witcher stronghold of Kaer Morhen.

The main character is the Witcher, Geralt of Rivia (), a monster hunter trained since childhood in combat, tracking and magic, and made stronger, faster and resistant to toxins by mutagens. He is aided by his lover, the powerful sorceresses Yennefer of Vengerberg (), his former love interest Triss Merigold (Jaimi Barbakoff), the bard Dandelion (), the dwarf warrior Zoltan Chivay (), and Geralt's Witcher mentor Vesemir (William Roberts). Geralt is spurred into action by the reappearance of his and Yennefer's adopted daughter, Ciri (). Ciri is a Source, born with innate (and potentially vast) magical abilities; after the apparent death of her parents, she was trained as a witcher while Yennefer taught her magic.

She is unaware that the Emperor is her biological father; he sired her under an assumed name while he was subject to a curse. Ciri disappeared years before to escape the, a group of spectral warriors led by the King of the Wild Hunt: the elf Eredin, from a parallel dimension. See also: and Geralt rejoins his long-lost lover, Yennefer, in the town of White Orchard.

Yennefer tells him that Emperor Emhyr has summoned him to the city of Vizima. Emhyr tasks Geralt with finding Ciri, who has recently been seen in several places. Ciri is a Child of the Elder Blood, the last heir to an ancient elfish bloodline with the power to manipulate space and time. Geralt first hears that Ciri was in Velen at Crow's Perch, the Bloody Baron's fort. The baron refuses to help, but Geralt's acquaintance (the sorceress Keira Metz) tells him that the elfish Avallac'h was looking for Ciri.

Keira directs Geralt to the Crones of Crookback Bog: malicious, ancient spirits living near Velen. The Crones say that they captured Ciri for the Wild Hunt before she escaped and have enslaved Anna, the baron's missing wife. Geralt returns to the baron, who tells him that Ciri went to Novigrad. He discovers that the Church of the Eternal Fire, a militant religious organization, is purging mages in Novigrad.

Download Film Superman Terbaru 2013 here. Meeting his former lover, Triss Merigold, Geralt learns that Ciri had contacted his friend Dandelion. Geralt navigates Novigrad's criminal underworld to rescue Dandelion, and learns that Ciri teleported to the Skellige archipelago. In Novigrad, Geralt may help Triss to free fugitive mages.

He sails to Skellige and rejoins Yennefer, who has been investigating a magical explosion linked to Ciri. They track Ciri to the island of Lofoten, which has been attacked by the Wild Hunt. Geralt and Yennefer realise that Uma, a deformed, cursed creature at Crow's Perch, was present after Ciri's escape. Before leaving Skellige, Geralt can help determine who will rule Skellige after the king's death.

Yennefer severs the magical bond between her and Geralt, giving him the option of affirming his love for her or ending their relationship. They bring Uma to the abandoned witcher school of Kaer Morhen, where Yennefer removes his curse and transforms him into Avallac'h. He reveals that he teleported Ciri to the Isle of Mists to save her from the Lofoten attack. Geralt travels to the island and finds Ciri in a deathlike state, until she is awakened by Avallac'h's magic. She says that Eredin's (the King of the Wild Hunt) homeworld is being destroyed by the White Frost, and he wants Ciri's power to conquer the Continent. Ciri and Geralt teleport to Kaer Morhen, pursued by the Wild Hunt. After a brief reunion with Yennefer, Triss and Vesemir (their witcher mentor), the Hunt attacks.

Vesemir is killed protecting Ciri; her distress unleashes her Elder power, and Eredin and the Hunt retreat. Geralt, Yennefer, Triss, Ciri, and their allies conduct a funeral for Vesemir. Ciri and Geralt travel to Novigrad and help Triss and Yennefer reform the Lodge of Sorceresses to aid their fight. They learn about the Sunstone, a relic which can lure Eredin out and bind him to a location. On the Skelligan island of Undvik, Avallac'h uses the Sunstone to draw out the Hunt and their fleet.

Geralt, Ciri, their allies and the Nilfgaardian fleet battle the Hunt, and Geralt defeats Eredin in combat. As the White Frost descends on Skellige, Ciri insists that she must confront it with her Elder Blood before it consumes all life on every world. She enters a portal and defeats the White Frost, ending the threat. The game ending varies, depending on previous choices.

If Ciri is alive, Geralt can retire with Yennefer or Triss or remain a lone witcher. If Geralt helps Nilfgaard win the war and brings Ciri to meet the emperor, she will become empress; if Ciri does not meet the emperor, Geralt fakes her death and she becomes a witcher. If Ciri dies fighting the White Frost, Geralt hunts down her stolen medallion as a keepsake; surrounded by monsters when he finds it, his fate is unknown. Development [ ]. Unboxing video The Witcher 3: Wild Hunt was announced on 4 February 2013 in, with a 2014 release for PC and 'all high-end platforms available'; the latter were clarified as the PlayStation 4 and Xbox One. The game's release date was later delayed from the third quarter of 2014 to February 2015. After missing its planned release date of 24 February, CD Projekt RED confirmed in April that the game was.

The Witcher 3: Wild Hunt was released worldwide on 19 May 2015. It was distributed to retailers by in North America and in, and. In addition to the standard edition, players can also purchase the Collector's Edition, which includes the base game and items such as an artbook, a statue of Geralt fighting against a griffin, and a Witcher medallion. Polish Prime Minister and President visited the CD Projekt RED studio to celebrate the launch. CD Projekt RED co-founder Marcin Iwinski listed three pillars that he considered integral to marketing: game quality, a 'gamer-centric ', and communication with fans. To achieve the second, The Witcher 3: Wild Hunt was marketed as ' in a sauce'. The third explained in detail the visual downgrade from earlier promotional footage to the finished product, which Iwinski thought effective.

The logo was re-designed to make it less obvious that The Witcher 3: Wild Hunt was a sequel; the number three suggested a claw mark or mask to an audience unfamiliar with the series, while fans would recognise it as the mark of the Wild Hunt. Downloadable content [ ] The developer studied Witcher forums and websites such as to predict what players generally desired from (DLC), shaping it to meet their criteria.

A collection of 16 free DLC was released, as announced before release by the developers. They included cosmetic and additional gameplay content and the mode.

On 7 April 2015, CD Projekt RED announced two: and. Hearts of Stone was released on 13 October 2015, and Blood and Wine on 31 May 2016. Hearts of Stone follows Geralt as he contacts a mysterious entity known as the Man of Glass and an immortal man, Olgierd von Everec. The expansion was critically acclaimed, rated a 9/10 by and. The second expansion pack, Blood and Wine, follows Geralt as he travels to Toussaint (a Nilfgaardian untouched by war) to track down a mysterious beast which is terrorizing the region. It was also critically acclaimed, winning the Best RPG category. A Game of the Year edition, with the base game, both expansions and all DLC, was released on 30 August 2016.

Reception [ ] Reception Aggregate score Aggregator Score (PC) 93/100 (PS4) 92/100 (XONE) 91/100 Review scores Publication Score 8/10 9.75/10 10/10 9.8/10 9.3/10 92/100 8/10 9/10 The Witcher 3: Wild Hunt received 'universal acclaim', according to. Critics agreed that it was an ambitious action role-playing game which was grand in scale, but marred by technical difficulties and a lack of innovation. GameSpot and gave the game their highest rating. The Witcher 3: Wild Hunt has been considered one of the best role-playing games of all time. The game world received widespread praise from critics. Kimberly Wallace of Game Informer called it 'immersive', and was impressed by its attention to detail. 's Chris Carter praised its size, which he found enormous and would take players hours to explore.

Jonathon Leack, writing for, praised the game's effective use of its large world. Leack wrote that every region had quests and activities for players to try, although he thought that much was filler which extended its length. Tom Senior of praised the open world's variety, describing it as an 'exciting realization of the Ronin fantasy'.

' Daniel Bloodworth praised the game for encouraging exploration; many quests would only become available to players after they met in different parts of the world. Vince Ingenito of IGN and Shaun Prescott of were impressed by the game's scenery and its day-night cycle, with Ingenito saying that it highlighted the game world's authenticity. Its narrative also received critical acclaim. Carter praised the game's cast of characters, which he called unique and interesting. He considered the narrative more involving, with players witnessing key events and making consequential choices. Wallace praised the game's dialogue and its side-quests; each was similar to a short story, and player decisions in the quests would influence the state of the world.

She liked the game's main quest, which added more character to Geralt, and said that the romance options were a significant improvement over its predecessors. However, she was disappointed with the quality of the game's endings. Kevin Van Ord of GameSpot echoed Wallace, noting that The Witcher 3: Wild Hunt 's story had more characterisation for Geralt than the previous games. He welcomed the change, since it gave players emotional connections to the in-game characters.

Senior enjoyed the game's side-quests, calling them 'a compilation of dark fantasy short stories' which overshadowed the main quests. Ingenito was disappointed with the game's main story, saying that there were too much padding and dull quests.

PC Gamer 's Shaun Prescott agreed, saying that the narrative would have felt rote if the side content was not engaging. Van Ord, Wallace and Brett Phipps of praised the voice acting, with Wallace calling it the series' best. Arthur Gies from criticized that some of the female characters are overly sexualized and that there are no in the main game. The game's combat had a generally-positive reception. Bloodworth found Geralt more mobile and agile with the new climbing and swimming mechanic. Carter said that it was significantly streamlined and its predecessors' strategic elements removed, but appreciated its action. Wallace wrote that with a simplified alchemy system, a decent and diverse difficulty settings the combat was more accessible, although she disliked the disruptive weapon-degradation system and unrefined crossbow shooting mechanic.

Leack thought the system lacked complexity and criticised its lack of polish, caused by the unreliable lock-on system, camera issues and excessively-long combat animation. Senior noted that some gameplay mechanics, such as rolling and dodging, were inconsistent and made the system feel unfair.

Ingenito praised the combat, describing its fluidity as a significant improvement over its predecessors. Other gameplay aspects received mixed reviews. Van Ord praised the game's customisation and upgrade system (which offered players a sense of progression), since it hardened as the story unfolded. Ingenito called its upgrade system deep and flexible, since players have considerable freedom when customising Geralt's skills. Leack disliked the upgrade system, calling it 'unexciting'. Carter was disappointed with the Witcher Senses (which he found repetitive), but Senior considered them superior to objective markers—the norm for role-playing games.

Prescott disliked the user interface for its clumsiness and tedium. Senior found the Gwent card game an addictive minigame. The game was criticised for its technical issues.

Carter called its climbing animations stiff, noting that some gameplay bugs would hinder player progress. According to Wallace, the game's load times were too long. Leack noted that the game had a graphic downgrade, and the actual game did not look as good as the 2013 demonstration. Senior, Phipps and Ingenito noted issues; although Ingenito thought it did not impact the gameplay, Phipps called it a persistent problem which overshadowed many of the game's achievements. Sales [ ] Before its release, over 1.5 million people pre-ordered the game. The Witcher 3: Wild Hunt debuted atop the UK software sales chart in its first week, when it earned 600 percent more than predecessor The Witcher 2: Assassins of Kings.

It was the best-selling video game of the year in the UK, breaking the record held. It debuted atop the Japanese video-game sales charts, selling 67,385 copies in its first week. Four million copies of the game were sold in its first two weeks after release. By June 2015, over 690,000 players had activated the game through. The game sold over six million copies in the next six weeks, and the studio made a profit of $63.3 million in the first half of 2015. In March 2016, CD Projekt Red reported that the game had shipped nearly 10 million copies worldwide. Awards and accolades [ ].

Main article: The Witcher 3: Wild Hunt received pre-release awards at in 2013 and 2014. It was voted the best role-playing game at the IGN Best of E3 Awards in 2013 and 2014. It won IGN's E3 People's Choice Award in 2013 and 2014, GameSpot's E3 People's Choice Award in 2014, as and the Most Wanted Award at the 31st and 32nd. It was the Most Anticipated Game at in.

At release it received over 250 'game of the year' titles, the most awarded at the time. By August 2016, CD Projekt said that The Witcher 3 had received over 800 awards since its release.

Its accolades are from several events, including the Golden Joystick Awards,,, Game Developers Choice Awards, Gaming Awards and the (NAVGTR) awards. The Witcher 3 was recognized as game of the year by IGN, GameSpot, Game Informer and other gaming publications. The game received a Golden Joystick Award for Best Storytelling, Best Visual Design and Best Gaming Moment, and the Game Awards for Best Role-Playing Game and Studio of the Year for CD Projekt RED. It won Outstanding Achievement in Game Design, Outstanding Technical Achievement and Outstanding Achievement in Story at the D.I.C.E. Awards, and won the and Best Technology awards at the 16th Annual Game Developers Choice Awards. • Lear, Jack (18 May 2015)... From the original on 27 May 2015.

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From the original on 12 August 2014. • GamesRadar Staff (25 October 2013)...

From the original on 1 March 2015. 15 October 2015.

From the original on 17 March 2016. 6 December 2014. From the original on 9 December 2014. • Leack, Jonathan (17 March 2016)... From the original on 17 March 2016.

The Witcher (in Polish). 11 August 2016. From the original on 11 June 2017. • Hurley, Leon (30 October 2015)...

From the original on 30 October 2015. • Sarkar, Samit (3 December 2015)... From the original on 4 December 2015. • Pereira, Chris (19 February 2016)... From the original on 19 February 2016. • Staff (16 March 2016)... From the original on 24 September 2017.

• Sarkar, Samit (21 March 2016)... From the original on 21 March 2016. 21 March 2016. From the original on 24 September 2017. From the original on 10 January 2016. Archived from on 21 December 2015. • Marchiafava, Jeff (6 January 2016)...

From the original on 11 June 2017. • Staff (22 December 2015)... From the original on 22 December 2015. 27 December 2015.

From the original on 12 April 2016. • Staff (31 December 2015)... From the original on 16 February 2016. 30 October 2015. From the original on 31 October 2015.

• Sarkar, Samit (3 December 2015)... From the original on 4 December 2015. • Crecente, Brian (19 February 2016)... From the original on 19 February 2016. • Makuch, Eddie (16 March 2016)... From the original on 14 April 2016. External links [ ] Wikimedia Commons has media related to.